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Four Lepers at the Gate of Samaria Asian Art

Healing of the Lepers at Capernaum (Guérison des lépreux à Capernaum)

James Tissot

European Art

This episode reveals Jesus' business organisation for the outcasts of society: in this case, those afflicted with leprosy, a chronic disease. The leper kneels in the center foreground of the image—dramatically making his plea to Jesus with his bandaged arms upraised. Referring to aboriginal laws regarding the lepers, Tissot writes that the man occupies the eye of the route to allow the healthy to pass with ease on either side of the path.

In the Gospel text, Jesus afterwards urges the healed man to keep quiet about the specifics of the miracle but to seek the priests, to admit his cure and regain his place in social club and in the Temple.

MEDIUM Opaque watercolor over graphite on gray wove paper

  • Place Made: French republic
  • DATES 1886-1894

    DIMENSIONS Image: 11 1/iv ten 6 3/16 in. (28.half dozen x xv.7 cm) Sheet: xi 1/4 x 6 3/16 in. (28.6 x 15.seven cm) Frame: twenty x 15 x i 1/2 in. (50.viii x 38.1 10 3.8 cm)  (show scale)

    SIGNATURE Signed lower left: "J.J. Tissot"

    MUSEUM LOCATION This item is not on view

    ACCESSION NUMBER 00.159.89

    CREDIT LINE Purchased past public subscription

    RIGHTS STATEMENT No known copyright restrictions

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    Caption James Tissot (French, 1836-1902). Healing of the Lepers at Capernaum (Guérison des lépreux à Capernaum), 1886-1894. Opaque watercolor over graphite on gray wove newspaper, Prototype: 11 ane/4 10 half-dozen 3/16 in. (28.vi x 15.7 cm). Brooklyn Museum, Purchased by public subscription, 00.159.89 (Photo: Brooklyn Museum, 00.159.89_PS1.jpg)

    Prototype overall, 00.159.89_PS1.jpg. Brooklyn Museum photo, 2007

    "CUR" at the starting time of an image file proper name means that the image was created by a curatorial staff member. These written report images may be digital indicate-and-shoot photographs, when nosotros don\'t nevertheless take high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.

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    Source: https://www.brooklynmuseum.org/opencollection/objects/4483